While the project has its origins in concerns arising from the practice, history, theory and criticism of art, the topics and questions it raises go beyond any one disciplinary field, ranging across, for example, philosophical aesthetics, critical approaches to culture in the humanities, visual theory, and the implications of recent neuroscientific research. We therefore welcome potential contributions and collaborations from a range of subject areas and backgrounds –bringing with them a variety of interests and research methods– including of course practitioners.

The forms and outcomes of collaboration has taken many forms: from e-mail exchanges through to workshops, conferences, exhibitions and publications. For contact details please see People.